Valorant Spike Rush guide: How it works, buffs, weapons, more - Dexerto

Valorant Spike Rush guide: How it works, buffs, weapons, more

Published: 2/Jun/2020 5:19 Updated: 9/Jun/2020 11:12

by Brad Norton


Spike Rush is a unique game mode in Valorant that ramps things up to an all-new level. From damage buffs to speed boosts, there are plenty of original features on display. Here’s an in-depth look at the fast-paced playlist.

Outside of Valorant’s standard Unrated and Ranked playlists, you’ll now have a new mode to keep you occupied in short bursts. Spike Rush is a new addition with the full release of Valorant, pitting teams of five against each other in fast-paced, buff-induced rounds of action.

From all-new features and mechanics to the full rules of engagement, we’ve got you covered with an in-depth breakdown below.

Riot Games
Spike Rush can be found in the main menu after completing a single Unrated game.

What is Valorant’s Spike Rush game mode?

Spike Rush drops 10 players into a lobby and splits them into typical Attacking and Defending teams. All Attacking players spawn into each round with a Spike at the ready, as opposed to just one being shared among the team.

The objective is exactly the same as Valorant’s other modes, detonate a Spike or eliminate all opponents to win a round. Whichever team is able to secure four round wins first, will be the overall victor of any given match.

Riot Games
Multiple orbs are scattered across the map.

What makes Spike Rush so unique?

While the objective of Spike Rush is simple, there are a number of ways in which the new mode looks to shake things up. Rather than buying weapons, armor, and abilities between rounds, all players are given the exact same. Your team could be sniping from afar in one round, and rushing close together with shotguns in the next. 

Additionally, various buffs are scattered throughout each map. Often changing location with each passing round. These buffs are acquired in the same way as an Ultimate orb. Meaning that you’ll have to interact with one for a few seconds to pick up the effect. Buffs range from speed boosts to damage boosts and even one that instantly provides a full Ultimate.

There is also an orb that serves a different purpose. Instead of buffing your Agent, a Crippling Decay orb will reduce all enemy health for a short period of time. Opening up a perfect opportunity for aggressive plays.

Riot Games
Two Crippling Decay orbs can drop your team to just 1HP.

How to win in Valorant’s Spike Rush mode

Given that every round offers a unique combination of weapons and buffs, strategies will always have to change on the fly.

Play to the strengths of your current loadout and do your best to control space around the various orbs. Letting your opponents grab every orb is a surefire way to put your team at a disadvantage.

Games of Spike Rush are over in a flash but don’t forget that you still have access to all of your abilities. Each round all utility will be restocked at no cost, so avoid playing too passively. There’s absolutely no reason to try and save in any situation.

Spike Rush is a great way to warm yourself up before hopping over to Valorant’s standard modes. Instead of staying in the Practice Range, Spike Rush lets you warm up in real scenarios with a plethora of weapons in very short bursts.


Caster speaks out about G-Loot’s late payments despite $56m investment

Published: 25/Nov/2020 17:49 Updated: 25/Nov/2020 17:57

by Adam Fitch


Mark ‘Boq’ Wilson, an esports commentator, has spoken out against tournament organizer G-Loot due to alleged late payments.

Over July 3-5, G-Loot operated the Trovo Challenge — a $10,000 event for Riot Games’ new shooter Valorant — on behalf of the live streaming platform. For the North American arm of the competition, Boq was hired to cast alongside Leigh ‘Deman’ Smith, Alex ‘Vansilli’ Nguyen, and David ‘SIMO’ Rabinovitch.

Weeks after the event wrapped up, complaints were posted on Twitter regarding G-Loot’s tardiness in paying for the work fulfilled. Dexerto learned that the casters agreed on a Net 60 payment term, meaning they should be paid within 60 days of fulfilling their duties.

G-Loot don’t appear to be short of cash, having raised an investment what they describe as “one of the largest esports fundraisers globally” of $56m in October 2020. While this is indeed after the event, in which it’s possible they didn’t have a lot of money prior to securing the investment, they’re now looking to grow their player base and optimize their service. Players and casters are still allegedly going unpaid despite said agreements, however.

Trovo Challenge Valorant
G-Loot were responsible for the competitive operations of the event.

Vansilli publicly revealed that he invoiced the tournament organizer on July 9 and was clearly disgruntled on October 1 when sharing that he was yet to be paid. They stated that he may have to wait until October 23 to receive payment, which is weeks after the agreed term.

Vansilli confirmed to Dexerto at the beginning of November that the payment had finally been sent, but that’s still not the case for Boq.

As of November 25, he has been waiting for 143 days to be paid. He spoke with Dexerto about his experience with G-Loot, the struggles of trying to get the money that’s owed to him, and the typical circumstances casters have to operate within to get hired for events.

The Payment Challenge

“My experience with G-Loot has almost been no experience,” Boq told Dexerto. “They’ve been quiet, unresponsive, and unwilling to work with us to get things resolved. Everything has been on their timetable, not ours. They were very sporadic with responses, an email would come once every 20 or so days and they’d point out an issue then we’d hear from them again 20 days later.

“It’s clear that they don’t really value talent; forcing us to jump through hoops and giving us crazy dates, far in advance, that related to funding rounds and giving us the run around in general. I am still actively pursuing payment. I’ve given them everything that I was told was needed and they said payment was going to be sent.”

One of the major problems across many esports titles, from the top tier of competition down to amateur events, is the loose use of contracts for broadcast talent. Agreements are made through platforms like Twitter and Discord, with talent being reluctant to request for arrangements to be made official for fear of seeming ‘difficult to work with’ and potentially losing out on future opportunities.

“Like many situations, I did not receive a contract,” he said. “It’s pretty common that I don’t get a contract for an event and if I do, I’m actually blown away by the preparedness of the talent manager. I’ve signed contracts after an event has concluded and had to wait on contracts to send invoices before. It’s definitely common that I don’t get a contract, it’s all verbal or a Twitter DM. Once the flight is booked for a LAN event at least there’s a guarantee, but online there are no guarantees.”

There’s an emerging topic among freelancers in esports regarding the application of late fees to invoices, theoretically deterring tournament organizers from either paying late or not at all by charging them extra for any delay. As of now, there are often no repercussions for such actions and that again is due to the leverage these companies possess according to Boq.

“It’s hard for talent to enforce late fees because the concern is that they just won’t use you again in the future, they’ll be frustrated because you’ve enforced a rule,” he said. “We don’t have as much leverage or power as them. There are a million casters out there who all want to work and get these gigs so it doesn’t matter how large your brand is, ultimately you can easily damage your name beyond repair. The smaller your name is, the easier that is to do.

“Tournament organizers have this tremendous power over some of the smaller names in broadcasting because they don’t have the leverage to get the payment that they’re due. This happens constantly when you look at Tier 2 or 3 scenes and in collegiate and high school when tournament organizers pay late, or at all, and the only option that these people have is to go public.

On why he has chosen to speak out against G-Loot, and why a better system with increased accountability for all parties needs to be put in place, the caster explained that this is more than wanting money — it makes esports a worse place and damages the industry as a whole.

Marq Boq Wilson Caster
Boq is best known for casting shooters such as Counter-Strike and, more recently, Valorant.

“It destroys the ecosystem that’s in place,” said Boq. “It’s important that we don’t allow tournament organizers that practice those behaviors to continue to survive because the ones that don’t are competing against them and sometimes losing. I hate to see companies that raise millions of dollars because I know they can crush a lot of the competition, some who actually do pay their talent but perhaps don’t have the same budget so they can’t increase their exposure with better hires.”

While other broadcast talent may now have been paid for their work on the event, that is not the case for Boq. Who knows if there are others out there across titles and tournament organizers that don’t feel as if they can speak up and still get hired going forward?

Dexerto has contacted G-Loot for comment.